Equipment sales — schools, churches, clubs, venues and bands on the Sunshine Coast
Sennheiser and Shure wireless, Meyer Sound speakers, Allen & Heath consoles, microphones, cabling and the parts that fail first — supplied at dealer pricing, with advice from an engineer who hires and operates the same gear every week.
A music shop will sell you a wireless microphone. Nobody there has stood backstage with a dying pack in act two, or checked whether the frequency it ships on is clear in your hall.
We have. Everything we sell is gear we'd put on our own shows, chosen for your room and the number of channels you actually need, set up and coordinated before you use it, and backed by a phone number that gets answered.
Most of it is in our hire fleet, so you can hire it for your next event first and put the hire towards the purchase.
Dealer pricing from the Australian distributors on the brands we trust enough to hire out.
On a wireless system, the set-up is worth more than the discount.
The price gap between us and an online store is small. The gap between a wireless system coordinated for your building by a specialist and one unboxed on the day and left on its factory frequency is the difference between a system that works and one you regret.
Every wireless sale comes with a frequency plan for your venue, the channels set and labelled, headsets fitted, and a run-through for whoever will use it.
Radio mic packages for the musical, a PA for the hall, headsets for the drama department. Quotes structured for a business manager and a P&C.
Wireless for the speaker, a system that copes with a live band and a spoken service, and volunteers trained to run it.
Surf clubs, bowls clubs, RSLs. A PA for the function room and the raffle mic that always works.
Vocal mics, wireless, in-ear monitors and a mixer that fits in the car.
Background music systems and a headset for the instructor. Small systems done properly.
A battery speaker and a wireless mic that fit in the boot and work on a windy headland.
Tell us the room and the job. What the gear has to do, how many people, who'll be using it. Not the model number you saw online — that comes second.
We quote two ways. The right answer, and the sensible-budget answer, with what you give up between them spelled out.
Delivered working. Set up, coordinated, labelled, and a run-through with the person who'll run it. Then a number to ring.
Professional equipment comes off our hire fleet and our Melbourne partner's theatre fleet regularly — speakers, mixers, microphones and wireless, serviced and tested before they're sold. It changes constantly, so ask what's available rather than waiting for a list.
We buy at dealer pricing from the Australian distributors and sell at or close to the online price. The difference is we set it up, coordinate the frequencies and answer the phone afterwards.
Yes. Most of what we sell is in our hire fleet. Hire it for your event first and put the hire towards the purchase.
Yes. Professional gear retired from our fleet and a theatre fleet, serviced and tested, at a fraction of new.
That's the question most sellers can't answer. We check the frequencies for your building and the channel count you actually need before recommending anything.
Yes. Small permanent systems for halls, churches, clubs and cafés are on the installations page. Portable gear we deliver, set up and train you on.
The room, the job and who'll be using it. A quote with the right answer and the budget answer comes back within a day or two.